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[主观题]

Shanghai Museum, one of the largest in China,____________________(收藏有五千多幅中国传统国

Shanghai Museum, one of the largest in China,____________________(收藏有五千多幅中国传统国画).

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更多“Shanghai Museum, one of the largest in China,____________________(收藏有五千多幅中国传统国”相关的问题

第1题

Is the flight from Shanghai on time.().

A.No, it's a direct flight

B.No, it's delayed one hour

C.No, it's a two-hour flight

D.No, it's a morning flight

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第2题

Hangzhou, one of the seven ancient capitals in China, is successfully winning over a large number of Shanghai residents who pick the city as a weekend leisure ().

A.neighborhood

B.reference

C.correspondence

D.destination

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第3题

What do we learn about the Museum of Contemporary Art from the passage?A.It has one of the

What do we learn about the Museum of Contemporary Art from the passage?

A.It has one of the world's best collections.

B.Its funds have shriveled $ 32 million in the past nine years.

C.It is preferable to sell several paintings.

D.Donations help it out of the financial hardship.

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第4题

According to Branngan, which of the following is fatal to the National Academy Museum?A.AA

According to Branngan, which of the following is fatal to the National Academy Museum?

A.AAMD expressed disapproval of the National Academy Museum.

B.The National Academy Museum breached one of the most important AAMD's principles.

C.AAMD stopped any collaboration on exhibitions with the National Academy.

D.AAMD withdrew any loans of works of art.

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第5题

The author says, "There was one thing that went wrong with my experiment." What was the on
e thing that went wrong?

A.He praised her sweater, which puzzled her.

B.She insisted on visiting a museum, which he hated.

C.He knew something about her illness but didn't tell her.

D.He was so good to her that she thought she must be dying.

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第6题

A.No. 15 bus is the right one to go to the beach.B.The man. will get off at the stop o

A.No. 15 bus is the right one to go to the beach.

B.The man. will get off at the stop of science museum,

C.The post office is one of the stops of No. 50 bus.

D.The man can go to the beach without transferring.

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第7题

完型填空What is museum? A museum is a good place to keep old and beautiful things. A m

完型填空

What is museum? A museum is a good place to keep old and beautiful things. A museum may be a place to learn about science. A museum can be a place {for; on; about} art of Indians or animals. What is inside a museum? Some museums have old cars and airplanes. Many museums have pictures and statues (雕像). Others have rocks and old bones. One museum even has {the; a; an} coal mine inside! Many cities have museums. Some very small {towns; homes; countries} have museums, too. Indianapolis has a {child's; child; children's} museum. Children do not have to pay to get in. Children go to the museum often. They like to look at the dinosaur bones. They see a white bear ten feet tall. They go inside an old log cabin (小木屋). On Saturday, Indianapolis children can {listen; to hear; hear} talks about animals and trees. They see movies.

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第8题

From Boston to Los Angeles, from New York City to Chicago to Dallas, museums are either pl
anning, building, or wrapping up wholesale expansion programs. These programs already have radically altered facades and floor plans or are expected to do so in the not-too- distant future.

In New York City alone, six major institutions have spread up and out into the air space and neighborhoods around them or are preparing to do so.

The reasons for this confluence of activity are complex, but one factor is a consideration everywhere — space. With collections expanding, with the needs and functions of museums changing, empty space has become a very precious commodity.

Probably nowhere in the country is this more true than at the Philadelphia Museum of Art, which has needed additional space for decades and which received its last significant facelift ten years ago. Because of the space crunch, the Art Museum has become increasingly cautious in considering acquisitions and donations of art, in some cases passing up opportunities to strengthen its collections.

Deaccessing — or selling off — works of art has taken on new importance because of the museum's space problems. And increasingly, curators have been forced to juggle gallery space, rotating one masterpiece into public view while another is sent to storage.

Despite the clear need for additional gallery and storage space, however, "the museum has no plan, no plan to break out of its envelope in the next fifteen years," according to Philadelphia Museum of Art's president.

This passage is mainly about the need for additional space in which of the following?

A.A neighborhood museum.

B.The Philadelphia Museum of Art.

C.Museums in the United States.

D.An aerospace museum.

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第9题

听力原文:M: Could you please tell me at which stop I should get off for the Metropolitan M
useum? Also, how much is the fare?

W: Of course. You get off at 82nd street and walk one block. I'll tell you when we get there. The fare is 60 cents, just put it in the fare box.

Q: What's probably the relationship between the two speakers?

(19)

A.Doctor--patient.

B.Daughter-- mother.

C.Passenger--bus driver.

D.Customer--merchant.

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第10题

When, If Ever, Can Museums Sell Their Works?The director of the art-rich yet cash-poor Nat

When, If Ever, Can Museums Sell Their Works?

The director of the art-rich yet cash-poor National Academy Museum in New York expected strong opposition when its board decided to sell two Hudson River School paintings for around $15 million.

The director, Carmine Branagan, had already approached leaders of two groups to which the academy belonged about the prospect. She knew that both the American Association of Museums (AAM) and Association of Art Museum Directors (AAMD) had firm policies against museums' selling off artworks because of financial hardship and were not going to make an exception.

Even so, she said, she was not prepared for the directors group's immediate response to the sale. In an e-mail message on Dec. 5 to its 190 members, it condemned the academy, founded in 1825, for "breaching one of the most basic and important AAMD's principles" and called on members "to suspend any loans of works of art to and any collaboration on exhibitions with the National Academy."

Branagan, who had by that time withdrawn her membership from both groups, said she "was shocked by the tone of the letter, like we had committed some crimes." She called the withdrawal of loans "a death knell (丧钟声)" for the museum, adding, "What the AAMD have done is basically shoot us while we're wounded."

Beyond shaping the fate of any one museum, this exchange has sparked larger questions over a principle that has long seemed sacred. Why, several experts ask, is it so wrong for a museum to sell art from its collection to raise badly-needed funds and now that many institutions are facing financial hardship, should the ban on selling art to cover operating costs be eased?

Lending urgency to the discussion are the efforts of the Museum of Contemporary Art in Los Angeles, which has one of the world's best collections of contemporary art but whose funds is said to have shriveled(萎缩) to $6 million from more than $40 million over the last nine years. Wouldn't it be preferable, some people asked this month, to sell a Mark Rothko painting or a couple of Robert Rauschenberg's legendary "combines" -- the museum owns 11 -- than to risk closing its doors. Finally, the museum announced $30 million donations by the billionaire Eli Broad last week that would prevent the sales of any artworks.

Yet defenders of the prohibition warn that such sales can irreparably (不能挽回地) damage an institution. "Selling an object is a knee-jerk (下意识的)act, and it undermines core principles of a museum," said Michael Conforti, president of the directors' association and director of the Clark Art Institute in Williams-town, Massachusetts. "There are always other options."

The sale of artwork from a museum's permanent collection, known as deaccessioning(博物馆收藏品等出售), is not illegal in the United States, provided that any terms accompanying the original donation of artwork are respected. In Europe, by contrast, many museums are state-financed and prevented by national law from deaccessioning.

But under the code of ethics of the American Association of Museums, the proceeds should be "used only for the acquisition, preservation, protection or care of collections." The code of the Association of Art Museum Directors is even stricter, specifying that funds should not be used "for purposes other than acquisitions of works of art for the collection."

Dorm Zaretsky, a New York lawyer who specializes in art cases, has sympathized with the National Academy, asking why a museum can sell art to buy more art but not to cover overhead costs or a much-needed education center. "Why should we automatically assume that buying art always justifies a deaccessioning, but that no other use of proceeds -- no matter how important to an institution's mission--ever can" he wrote.

Even Patty Gerstenblith, a law professor at DePaul University in Chicago kno

A.abundant in artworks

B.expecting strong resistance

C.abundant in money

D.selling three paintings

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